Dub fast, at scale,
without lowering the bar.
Synthetic voices directed by dubbing professionals: the adaptation stays human, every line is listened to, corrected and re-synchronised before delivery. AI brings the speed; the studio brings the quality.
Hear the difference
Two excerpts from micro-series dubbed into French by our supervised AI pipeline: human adaptation, licensed voices, studio timing and control.
Micro-series · French version · generated voices, directed line by line.
Micro-series · French version · broadcast-standard mixing and levelling.
What it brings you
Weeks, not months
With no stage to book and no actors' schedules to align, an entire catalogue can be dubbed in a timeframe no traditional production could hold.
Volumes that finally get dubbed
Deep catalogues, micro-series, short formats, archive content: programmes that would never have been dubbed get a new version at a cost that makes sense.
The same voice, first to last episode
Every character keeps their voice across the whole series, with no timbre drift and no availability issues. Retakes are regenerated identically, months later if need be.
Humans at both ends
Human adaptation
Just as for a stage production: our adapters rewrite the dialogue in natural target language, matched to the characters' rhythm and lips.
Voice casting
Synthetic voices chosen from a licensed library, character by character, approved with you on excerpts.
Directed generation
Every line is generated with its intention (anger, whisper, laughter), then listened back. Whatever rings false is redone.
Control & delivery
A human ear signs off every episode. Broadcast-standard mixing, delivery of masters, stems and subtitles.
We only use licensed synthetic voices, designed for this purpose. Never a clone of a person's voice without their written consent, neither an actor's, nor that of anyone on screen.
What it's made for, and not made for
Supervised AI excels at…
- deep catalogues opening up to a new market;
- documentaries, magazine and factual programmes;
- corporate and training content;
- pilots and market tests before a stage dub;
- deadlines traditional production cannot hold.
We'll tell you no when…
- the work rests on performance: premium fiction, arthouse film;
- a scene demands what a generated voice cannot give;
- the project assumes cloning a voice without consent.
For those works, our stage takes over, with the same adapters and the same standards, actors directed at the bar.
Discover actor dubbing →A catalogue to open to new audiences?
Tell us the volume, the source language and the deadline. We'll offer a trial on a real excerpt of your programme: the best way to judge.